Synchronicity in Writing and the Great Hen Escapade

I was working on a scene about how our silence keeps us prisoner, and as this is my final edit before publication, I scrutinized a passage and concluded my protagonist, Damon, came off a bit preachy. By grounding his dialogue to his own experiences, the scene packed a more powerful punch. As I don’t want to give the plot away, I’ll only mention that I use a dungeon symbolically throughout the book as a metaphor.  The context related to how some people voluntarily imprison themselves by handing over the key to their oppressors. The key symbolizes fear and how oppressors are given permission to draw it out of their victims as a method of control.

Fast-forward to lunchtime. I went downstairs to eat, and my daughters excitedly told me the hens escaped from the coop. My landlord keeps ten hens for eggs, and the girls have grown fond of them. Apparently, the hens figured out how to open the gate and liberated themselves. With the help of my husband, my daughters proceeded to chased the hens until they were able to lead them back to the coop. During the whole debacle, the cleverest of the hens, managed to make her escape. I cheered when I heard about it.

Being a writer, the slapstick scene played in my head. Imagining my girls running after hens made me laugh, and I wondered why my husband didn’t get out my Iflip and film this screwball moment. As my eldest daughter recounted the event,  my attention went outside, where lo and behold,  a hen was flying outside of the cage.

My husband and youngest daughter ran out to lead her back inside. Meanwhile, I expressed to my eldest how if it were me who saw the hens escape, I probably would’ve turned a blind eye and let them on their way. Much as I don’t judge people for caging hens, I don’t judge a hen’s decision to escape from her prison. If I sound like I’m personifying the situation, that could very well be true. I recently completed my first draft of Forever Valley, in which a hen is one of the main characters. I know what happened will eventually end up in my book.

Coincidence or   synchronicity ushered into my consciousness from the Divine?

I see it as the latter because incidents like this happen too often for me to discount it as mere coincidence.

While the outside chase continued, I recounted to my eldest how the scene I worked on moments before paralleled the hens’ ordeal. My sweet nine-year-old then went on to say, “That’s so weird. It happened at the same time. Just as you were writing about it, we were outside getting the hens back inside.”

“Weird, indeed,” I said as my youngest daughter entered and told me the hen I saw was the one that escaped. They managed to get the hen back in her cage.

I had an eerie feeling as I recounted Damon’s message over how we willingly enslave ourselves by giving the key to our oppressors.  The closing of our real life escapade ended with the hen giving up her own freedom voluntarily.

“She came back because she missed her friends,” my youngest surmised.

She was probably right—that and along with a free meal.  I’ve come to see hens as very social and affectionate. Here, in Hawaii, we have ferrel hens, and the escaped hen would’ve been all right on the outside, but she decided to return to the place where she was most familiar. This was another aspect of the scene I was focusing on; some of us become imprisoned by the comfort of familiarity and security. Of course, that’s not necessarily bad; however, with the wrong person, religion or political ideology it most certainly can be viewed as a weakness and used against us. In the case of the hen, one of her friends ended up on someone’s plate during a Thanksgiving dinner. I leave it up to you to decide whether or not the hen should’ve stayed away.

When synchronous moments in writing happen to me, I ruminate over what I’m supposed to take from the experience.

Did what happen justify or challenge an opinion I hold  dear to me?

 Did it lead me to accept there are some aspects of the human condition that still have a long way to go before evolving…and the changes that will move us forward will happen long after I die?

That last one is the most difficult for me to ponder over, and I’m glad I have my writing to help me express my frustrations. Writing visionary fiction helps me view stories through a holistic and positive lens. In the process of healing my ideal version of the world, I heal myself.

From Vision to Story

As of today, I’ve arrived at the last chapter of my proof. While I was teaching my daughter about cell division,  it led me to  pose a question during my meditation. Soon afterwards, I received an intense vision. It ended up in Unison, and it further clarified an expositional scene that is tantamount to the series as a whole.

Writing this book has been a long and winding road, where many times I thought I was going to go off course. Nevertheless,  all things happen for a reason. I had to go through all these read-throughs, so I could write a scene that makes my story stronger. Writing a book has been compared to running in a marathon. That’s a fairly accurate comparison!

Choreographing A Scene

I had a very creative week. As with many of my story breakthroughs, it happened at the gym, while running on the treadmill. I knew when I posed my story question, by the time my workout was over, I’d have my answer, but not necessarily to the question I asked. When it comes to tapping into the right brain, scenes typically appear out of order. I view the first draft as a puzzle, except I have no idea how many pieces exist until after I write, “The End.”

I put on the dance music playlist on my Ipod, started running, and asked my right brain to  show me a strong climax for Forever Valley.  I’ve done this several times before but was shown answers to different parts of my story; however, several days ago, I got what I asked for.  When I left the gym, I ran to my car, got out a pen from the glove box and wrote out the climax, which also included the completion of the character arcs. Now that’s a productive run!

The three questions I ask before I begin the scene choreography:

What characters are in the scene?

Where are they?

What’s the scene goal?

To get the best possible scene, I have to envision it first. I do this by running through it in pictures.  There can be no trace of language for this to work. It’s like watching a silent movie, and I formulate no opinions or judgements during the transmission. That’s left brain banter, and it’s a big no no when engaged in right brain work. I continue observing until something pops out at me. Once that happens, I begin to analyze the scene, interpreting what and why it’s happening.

What do the characters say?

How do they react?

I continue the analysis until the language syncs with the visuals.  This works so well, I never fear writer’s block or running out of ideas. With a strong visual, it’s hard not to come up with a strong scene.  The difficulty—for me, at least—is finding the most accurate words to describe it. That takes a lot more effort from me than scene creation.

For anyone interested, here is my method of tapping into the right brain.

  • Find a place or situation where you can disappear into your story world.    Working out, running, walking, taking a bath and lying down listening to music are some ways I connect to my right brain.
  • Pose the three questions, but do it without expecting answer to the questions you asked. Expectations are like a roadblock to the right brain.  Get rid of them, and you’re right brain will throw out some amazing ideas for other scenes in  your story.
  • Place your characters in the proper setting and watch them react, without any hint of language or judgements. There is no such thing as a stupid idea in this exercise.  Unlike real life, stupid oftentimes leads to brilliance in the right brain. Just keep watching stupid until it evolves into a brilliant scene. Being able to tap into the right brain at will makes writing entertaining and fast. Please let me know if this works for you. I always love to hear successful writer stories.

Love and light,

Eleni

Final Is Never Final When it Comes to Writing

It’s now November 2012, and I still haven’t published Unison. I was aiming for an October release, but after three read-throughs of my proof, I found places for improvement.  My fourth proof is to be my final,  as I’ll be now scanning for typos. I’m ready to say goodbye to this book and move on.  I had some issues with Create Space as they sent me a proof of my old file. I’ve been on the phone with them for the last couple of days, and I’m happy with the way the situation was handled. They’re dealing with a new system which led to some confusion. These things happen, and I’ll still use their service as the interior book design they did is beautiful.

I got my edit back from Jessie’s Song, and I’ve been busy this month making improvements to some excellent suggestions made by Erica Orloff of Editing For Authors. I can’t highly recommend them enough. Thanks to Erica’s attention to detail, I’ve been able to elevate both my novels. Even the smallest suggestions she made led to deeper insights. For Unison, I used only their proofreading service, but after all the time I spent cleaning up the inconsistencies, I found their comprehensive edit service to be invaluable and time-saving.  I’m using this for Jessie’s Song, and it does help speed up the process.

My experience with publishing, thus far, has shown me I need to slow down my production line because of the proofing process which takes much longer than editing. From uploading to publication, I’m seeing that I’ll need at least four months before my book goes live. If I can keep up that pace, I should be able to publish three books by next December. We’ll see!

Lessons Learned During The Proofing.

  • When you get your first proof, assume it’s not ready for publication. All the story problems you thought were solved, weren’t. Changed character names which you thought you cleaned up are still there.  Which leads me to..
  • Get a professional edit. Proofreading isn’t enough. No matter how thorough you think you’ve been, a good editor will definitely find something you’ve overlooked. As objective as I am about my writing, another set of eyes is even more so.
  • If, Like me, you opted for only a professional proofread, assume the second proof that comes to you, is still not finished. After cleaning up the first proof, more inconsistancies will stand out.
  • In the third proof,  the awkward sentences will stand out more. This was my toughest edit as I kept working on these trouble spots until they no longer stood out.
  • The fourth proof, will strictly be my looking for typos,  and I’ll have another reader helping out.

The proofing stage has been the most challenging for me. It makes writing the first draft seem easier. This brings me to my current manuscript, Forever Valley. I put it on hold until this Monday. By then, I’ll have Jessie’s Song back for another edit. Afterwards, I’ll upload it to Create Space and start the four-month process in December.

I’ve learned patience through this whole ordeal, and the invaluable service a good editor provides. I’m already noticing less stress with Jessie’s Song because of this. With time, also comes experience as well. I always keep that in the back of my mind. Through all these trials, I’ve become a better writer and publisher. Furthermore, by accepting that mistakes will be made, both by myself and those I work with, I’m able to keep a level head and enjoy my writing. This is what I love to do, and I don’t want to lose sight of that.

Love and light,

Eleni

Maintaining a Writing Schedule During a Move

It’s been a while since I posted as we we were getting ready for a big move. During all the craziness of making plane reservations, hiring movers, making hotel reservations and packing, I’ve also been busy reading the proof of Unison, going through the remarks my editor made on Jessie’s Song, and working on my manuscript, Forever Valley.  I also recently wrote an article for the Visionary Fiction Alliance about the Babylon 5 series. You can check it out here.  I’ve pushed myself hard this month and what’s amazing to me is that I managed to maintain my writing schedule…even though we’re still in between addresses. Am I nuts to do all this?  Most people might think so, but for me, my writing is what keeps me sane, along with mindful awareness meditation.

The room here is small and my daughters are loud, so when I work on my manuscript, I either go to a cafe or one of the libraries here.  I homeschool my daughters, and I bring them along when they need computer time. I enjoy discovering libraries in  new locations, and so far, my favorite one on Maui is the Wailuku branch.  The building was constructed in 1928 and is beautifully restored. It’s a pleasure to work on my Macbook in this classic environment. Perhaps the inspiration I capture here will lead me to write a classic of my own!

I’m hoping to approve Unison for publication this month. For the fourth pass, I’m going to have my husband read it to pick up errors I missed the last time through. If it’s one lesson I’ve learned through my publication experience is that it takes a lot of energy, persistence and patience to do it all on your own. Through this process, I’ve developed a deeper respect and admiration for indie authors and am honored to be part of such an impassioned group. I don’t regret my decision to go indie…even as I’m tempted to throw my book against the wall out of frustration! With my short attention span I  rarely watch the same movie or read the same book more than once and forget about me sitting in a movie theater! By that description alone, I’m sure most of you can see I’ve passed my threshold of patience long ago. So when someone tells you you’ll be sick and tired of your novel by the time it’s ready for publication, they’re not exaggerating.

This move has added to my stress level. Today, I’m typing on my new wicker desk, and yesterday I got over-emotional over a refrigerator. I meditated to calm myself from getting worked up over something so non-sensical and unimportant. I then had  a good laugh at myself when I  reflected back on the day’s events. If it’s one thing I learned during my spiritual practice is that the Universe has a sense of humor, and most of the times I get the joke and laugh along.

Writing also helps calm me. No matter how stressed I get, each time I sit down to work, everything that aggravated me disappears, which is why I see writing as another form of meditation.

Regarding the tedium of proofreading, what keeps me going is this simple truth:  no matter what you do in life, there will always be several aspects of your work that’s undesirable. If you manage to get through them, the reward will be the output of your  hard work and dedication. It’ll make you relate to this quote I’m ending with:

“When the last page of the first draft is the most enjoyable moment in writing. It’s one of the most enjoyable moments in life, period.”  Nicholas Sparks

Beware. Brainstorming Can Be Dangerous!

I’m not the type of writer who can spend hours typing away on my laptop. I  break up my writing into short sessions scattered throughout the day. Yesterday I decided to go for a run in the mid-afternoon to develop a scene for Forever Valley. I choreograph and play back all my scenes away from my desk as I’m able to tap into my right brain easier. Running, hitting the weights, lying down and listening to music and even taking a bath have led to big breakthroughs for me.

Towards the last stretch of my run, I came up with a great scene, and as I was putting it together, I took a tumble over a speed bump. Some kind people offered assistance, and after I told them I was okay, I returned home, nursed my scrapes and typed out half the scene. I then took a break to perform my motherly duties, and I finished my final session late last night bringing the word count up to 21,500 words.

More news: I sent off Jessie’s Song to get edited.  Whenever I send my work out to get read, I get this feeling like I’m not finished. As this happened with everything I’ve written, I understand that no matter what I write, it will never be perfect, but I know I let it evolve into the best story it could be.

When Editing Is Done Well, Everything Falls Into Place Naturally

As of August 24th, I finished my final pass of Jessie’s Song, and it’s now ready for a professional edit.  I even wrote a song to accompany the book which one of my daughters will sing.

Jessie’s Song went through several incarnations, beginning life as a high-concept screenplay I wrote for a screenwriting class. There were several instances where I wanted to drag the Final Draft file to the trash  because I didn’t like Markos Adams, the protagonist.  He began life as a hit man,  evolved into a police officer, and when I decided to do it my way, he found his authentic voice as a jazz musician. It was then that the story sprung to life and was one of the reasons I made the transition from screenwriter to novelist; I wanted to see what made Markos Adams tick inside.  As a side note: Unison also had its beginnings as a screenplay, with only two characters. Now it’s a full-blown epic with a large cast. Talk about story evolution!

LESSONS LEARNED

  • Never give up on a story, especially one with a strong concept and hook.  Once you get it to where it should be, you’ll be a truly satisfied—and  happy writer!
  • Don’t allow an instructor, or anyone else,  steer you away from your vision because that will only lead to confusion and A LOT more rewrites. I have fourteen Final Draft revision files from Jessie’s Song! That’s at least ten two many.  Take only advice that will help you advance in your craft. Incidentally, my screenwriting class was excellent, and I learned a lot from the instructor. I just wasn’t confident enough in my own abilities as a writer to make an authorial  stand.

During the last pass, I cut over 4,200 superfluous words and added a little more than 2000 that deepened the tone and characterization. Through this whole process, I noticed I was harsher on my work than my beta readers. They never took issue with the threads I ended up cutting. This all leads to my suspicion that if you, as an author, can maintain complete objectivity during an edit, you make your own best beta reader. I say this because it’s your book, and no one knows the story as well as you do. I’m not saying  beta readers aren’t necessary. They helped me find a plethora of typos and inconsistencies, but as far as the pacing was concerned, none of them took issue with it. Granted, I do have an extremely short-attention span that might have something to do with my sensitivity to pacing.  In real life, I’m a get-to-your-point-and-make it kind of gal, and that’s how I write my stories. During my final read through, when I sensed even the slightest bit of  drag.  I looked at each chapter and ended up cutting out four chapters.

  • Not necessary to the resolution or advancement of the plot.
  • The cost of the book. Unison’s final word count is at 534 pages! To use extended distribution for a physical book, it would cost eighteen dollars minimum to make a profit. I thought about cutting the word count, but this is the way the story had to be told for me to get my vision across…and readers would still pay more by having to buy two books anyway.  I decided to stall extended distribution for a couple of months until my Kindle edition comes out.
  • I want people with short-attention spans, like yours truly,  to ready my book as well!

MAKING THE CUTS

I reflected over  the book blurb to reconnect to the main idea of my story. Jessie’s Song is a paranormal mystery about Markos Adams, whose daughter is kidnapped, and the ransom calls for his suicide. While most of the journey deals with his search for the kidnapper,  Markos is haunted by visions that make him, along with all those close to him, doubt his interpretations of events. As Markos believes a childhood rival has something to do with the kidnapping, he reflects over his past.  He understands he may have to take his life and looks to his past in an attempt to uncover a motive for what’s happening in the present. These are the necessary plot points to tell the story effectively.

I had to nest chapters from Markos’s past in a way that wouldn’t break up the urgency of the plot. In my first draft, I arranged the chapters and threads on the big cork board seen here on the right. I erroneously believed the chapters would remain where they were, but my mid-point ended up coming in way too late. After I rearranged the chapters in this last read through, I took out a weak thread between Markos and a woman with whom he had a short fling.  Its function was to demonstrate how Markos had evolved from his past, but I realized it was no longer necessary because I depicted enough growth in the main thread.

As I got to the end of my edit, I took out a chapter that dealt with Markos’s estranged wife. I didn’t think that particular chapter would be chopped because she’s an important character. There was also some excellent dialogue.  While it worked well in the screenplay, it wasn’t necessary for the advancement or resolution of the plot in novel form, and it slowed down the third act.  Chop, chop, chop went another darling, and my mid-point ended up where it belonged…in the middle.

The more I write, the more I realize that storytelling is a precise science. Ensuring my structure is solid has become the most important part of an edit for me. When the plot  moves forward, without any distractions or going off-point,  everything  seemingly falls into place as if by design.

I’ve oftentimes joked about how it would be nice if I knew I wouldn’t need a chapter before I write it; however most of my over-writing ends up adding more depth to my characters. After I release Jessie’s Song, I’ll put up the chopped darlings on my website. One way or another, they will be read!

Love and light,

Eleni

Characters Write Themselves When They’re Free


I started working on my fourth novel, On The Farm.  The  antagonist’s personality came to me three days ago. I wanted to know why he would work against his own growth, and once I figured it out, I was ready to begin writing the story…twenty days ahead of schedule!

When I realized what motivated me to begin this new project, I knew I had a topic for my next blog. I find I write the best story when my characters are real enough to take over. I’m not implying chaos over here. Structure is very important to me, and I learned it via my screenwriting experience.  It taught me how to plot effectively and make every scene count. I use the techniques in my novels because it keeps my acts clearly defined, cinematic and razor sharp. Some writers will tell you that structure leads to formulaic writing, and from my own experience, I find that declaration erroneous and harmful advice to those who are just starting out in their writing. How we write depends on how our brains process information.

Some of us can write without an outline, but not me. Because I’m right brain dominant, I need to see the whole picture for it to make sense and to get that, “Eureka, this is it!” feeling about my story. This gives my first draft more direction, but it doesn’t mean I won’t make changes as I go along. What remains is the structure that keeps me grounded to the story and prevents me from going off in irrelevant directions.  This makes my editing job a lot easier.

Before I learned structure, I meandered in my writing, A LOT. And the criticism I received about my work was all about how my story didn’t have well defined acts. Once I learned  various forms of structure, I began to see how a story flowed and how when I got everything right, it worked better.

Books that resonate most with me have both a well-developed plot and strong characters.  Stories heavy on plot and light on character don’t hold my interest, which is why I toil, with great effort, on my own characters.  The stronger they are, the more they take the lead and that’s what I count on.

Outlining prevents chaos, so we can let go and enjoy the ride.

I like outlining my stories because it reinforces the structure.  The reason structure in  our writing works so well is because we live in a structured environment, which means, by default, so do our characters. Even stories where societies fall apart, like in “Mad Max,” develop hierarchal systems. Try as we might, we can’t get away from structure.    Everything around us is structured.  We can either lead boring and predictable lives, or exciting lives, depending on our personalities.  Same thing goes for our characters, which are extensions of our personalities brought on by our imagination. When we let our characters take over we free our imagination, which is far more interesting than when we hold it back because we want to control everything.

It’s all about the characters

A strong structure and accompanying outline gave my characters more freedom to challenge my pre-determined plot points. If my foundation is solid, my characters will either head towards the story goal or attempt to stop it from happening. Their motivations are clearly related to what’s happening in the story, meaning when Fox leads Ram outside the farm for the first time, they don’t head off to the mall to play video games! Their reaction is always within the proper context. With a clear story goal, they can’t take me out of the plot. They can throw me past my comfort zone, add a twist that will take me a while to think through, or re-write a character’s association with another character, but the change is usually for the best. In Sunrise, my last novel I completed, I explained how one of the characters rewrote the conflict of my story. It was better than what I had, but because the character was strong, she led me down a different path, and  I never looked back. In the middle of writing this blog, my protagonist in Jessie’s Song, did something that surprised me.  It ended up increasing the dramatic tension.

On the contrary, if during the outlining stage my characters are screaming for a different outcome, and that outcome is better than my own, I’ll go ahead and tweak the last act to accommodate them. I do what’s right for the story, and I find if I keep that intention, I have a stronger and more emotionally satisfying read.

Writers as actors

To write a great character I have to become the character as I’m writing. I have to experience her emotions, cry when she does, laugh at what she finds amusing, and be scared when she feels threatened. If I don’t feel any emotions, then I know she’s a flat character. I’ll work on  a scene until I get the appropriate reaction.

My writing routine evolved into an organic  practice in that I let the story flow where it must be without forcing it into what I want. It’s very Tao-like and it’s as pure as storytelling gets to me. This is why I enjoy the process so much. I never know what to expect, and this  leads to suspenseful and exciting storytelling.

What gets you excited about telling stories?

Love and light,

Eleni

Visionary Fiction Alliance



As a founding member of the Visionary Fiction Alliance, I’m excited to announce that we will be launching on the new moon which falls on August 17th.

The Visionary Fiction Alliance started as a Goodreads discussion group prompted by an article written by Jodine Turner.  Saleena Karim and Shannan Sinclair joined in the discussion, and as it grew to twelve members, we decided to form the Visionary Fiction Alliance. The purpose of our group is to bring awareness to visionary fiction that encompasses many different sub-genres. Authors, publishers, reviewers, agents and readers are invited to join us for articles, book reviews and all things visionary.

If  you’re unfamiliar with the genre, click here for an explanation.  If you’re an author, you may be surprised to learn that’s what you’ve been writing all along. That was the case for me.  I found it difficult to find a genre that described my style until I happened across visionary fiction, then I knew I found my home.

We hope to see you there.

Love and light,

Eleni

On Being An Author Of Visionary Fiction

I’ve recently met other visionary authors, and we’ve come together to create the Visionary Fiction Alliance as a means to promote the genre. What I value most about this group is that even though we all have diverse opinions, we get along great. The reason for this is because there is no dogmatism in Visionary Fiction. By letting go of beliefs, we humble ourselves and  recognize there are many roads that lead to the same truth…at least that’s how I see it.

What is my personal philosophy as a visionary author? 

After my kundalini awakening I detached from religion, and accepted I cannot know anything beyond what I’m experiencing, as it’s happening.  My characters tend to have difficulties because of their expectations of an outcome along with inflexible thinking.  Only by exploring and expanding their inner-awareness can they hope to find their way out of the mess they got themselves into.  I deal with this aspect mostly in subtext, but it can definitely be felt in the actions my characters take.

What do I believe in?

All the visions and insights I’ve gained since my awakening have opened my eyes to a myriad of possibilities.  I make no assumptions  or claims as to their meaning. Some people have visions and make pronouncements regarding them, but I see too many possibilities as to what mine can imply. That is why writing fiction is the better option for me.  It gives me the freedom to explore all possibilities.

My personal world view is:

Something exists that is greater than us. It presents itself to those of us who seek it out, and we can connect to it if we so desire. When we are connected to this something, we are at our happiest. If we stray too far, we’re mired in materialism, needless rituals, empty vices and are disconnected from that which makes us whole. This disconnection makes us feel like there’s something missing in our lives when, in fact, what makes us whole is already present in each of us, waiting to be rediscovered. 

The above is my personal truth. I don’t expect, nor would I want, others to accept my world view as I learned this on my own. Being a skeptic allowed me to find and connect to this realization that I’ve now internalized. When I refer to being a skeptic, I don’t mean the type that writes books denouncing God, UFOs and all things paranormal. That’s not being a skeptic; that’s another form of dogmatism. In one of my meditations, I received the following message:

“It’s not about being right or wrong. It’s all about the experience.” 

Being a true skeptic is seeing a world filled with infinite possibilities, and while I personally use the term, Divine when I connect to the inner-light, I don’t attach a definition to what the light is.   Narrowing it down to one absolute meaning is impossible, in my opinion. We can only analyze our visions through the lens of this reality, and our interpretations are based upon our understanding of this reality.

In my stories, my world view is clearly established, and I also write to expand my own consciousness and learn new truths. It’s the receptiveness to all possibilities that makes life more exciting and unpredictable to me. With this mindset, there’s no fear of damnation for questioning or choosing to opt-out of dogmatic practices. This includes politics, nationalism, religion and all other groups that adhere to one fixed opinion.  Out here, in the beautiful chaos of independent thought, I’m responsible for my own fate, and I get along with people of all backgrounds because I don’t hold an opinion that I think is superior to anyone else’s. It’s the most liberating feeling—to think freely and openly.  I liken it to having the mind of a child in that I’m not afraid to take chances. To me, this is what it means to live life to the fullest.

Love and light,

Eleni